I am delighted to be taking part today in the Blog Tour for All Rivers Run Free by Natasha Carthew. It is an amazing book which I am greatly enjoying reading and will be sharing my thoughts on this book with you very soon. In the meantime, in her own words, Natasha is going to tell us how she loves to write outdoors and the inspiration it gives her.
WRITING
OUTDOORS by NATASHA CARTHEW
Fiction
is the best way to deal with some of the social and environmental issues of our
times.The
natural world draws writers for comfort and inspiration, and for a wealth of
narratives. Even
if we don’t write about nature, nature generates the stories we tell. This is
because everything we know about creating, we know intuitively from the natural
world. One can set the stage for creation by following these three steps:
consciously naming the information gathered by the senses, describing the
sensory details of one particular thing, and interacting with the energy system
of the earth.
As
writers we must strive to make this kind of connection between the everyday and
the hidden, noting the beauty all around us to develop a rich relationship with
wildness inside and out.
When
I write I’m drawn to the outside countryside around me out of necessity. It’s a
way to clear my head and immerse myself fully with the world that my characters
inhabit.
Why do we write
outside?
We
spend our lives looking at the world through screens; TV’s, computers, windows
in houses and cars and buses and through these screens it’s like we are
bystanders, watching the world go by. I think it makes us better writers to be
a part of that world.
The
first reason is FREEDOM. As a young writer I was drawn to writing outside
because of the freedom it gave me, there were no distractions no other voices
but mine and I could escape to whichever world I wanted. Writing outside also
helped to clear my head and become focused.
The
second reason for writing outside is INSPIRATION. I was lucky enough to have
grown up by the sea on the south coast of Cornwall and anyone who knows the
ocean knows it is a great metaphor for all that teenage angst. Saying that, you
can get inspiration from a million different outside locations and a million
different things to stimulate your senses and free your wild mind.
Where to start?
Stuff
a notebook and pencil into your pocket and get out there. Whether your wild
world is in the woods or in your local park, being outside in the open air and
all the elements thrown your way is the first step on your wild writing
journey, and the other is letting go. To be submerged in your outside
environment is to know inspiration is close; have faith, you are now ready to
be lost in the moment.
Writing
outside, especially if writing a book set mostly in the wild, might seem a
challenge to some writers but it is recommended -even taking a walk before
writing brings you closer to your creative self and opens your mind to all the
possibilities available to you.
Top
tips for writing outside are firstly to dress weather-wise; sitting outside is
going to be way colder than a stroll in the woods. Sit some place sheltered so
you don’t get wet or sunstroke or have your notebook ripped from your hand by
howling gales. Bring a pencil in case the air is damp. Views are good, even in
a park or on the roof of a block of flats. The more perspective you have the
more you see (you are an artist), and don’t forget the detail that exists in
everything.
Nothing
coaxes jumbled thoughts into coherent sentences like sitting by a river on a
summer’s day or under a tree in a rainstorm; either way I know I’ll produce my
best work.
As
a wild writer, landscape is more than just scenery: it is the interaction
between people and place; the bedrock upon which our society is built and as a
writer it is everything.To be submerged
in your outside environment means you are ready to be lost in the moment.
We
all know writing takes time and sitting outside watching the world go by helps
in this process. Even if you are not writing, you are observing, things come to
you and pass you by and this world is beyond your control. It is fluid and that
fluidity is exciting, you no longer think about writing but merely start to
write.
Natasha
Carthew
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