Wednesday, 13 May 2026

Lady of Lincoln by Rachel Elwiss Joyce - #blogtour #excerpt #extract

I am absolutely thrilled to be bringing you an extract from this book today. Lady of Lincoln by Rachel Elwiss Joyce is a novel of Nicola de la Haye, the medieval heroine history tried to forget.


The Blurb

A true story. A forgotten heroine. In a time when women were told to stay silent, could she become the saviour her people need?

12th-century England. Nicola de la Haye wants to do her duty. But though she’s taught a female cannot lead alone, the young noblewoman bristles at the marriage her father has arranged to secure her inheritance. And when an unexpected death leaves her unguided, the impetuous girl shuns the king’s blessing and weds a handsome-but-landless knight.

Harshly fined by Henry II for her unsanctioned union, Nicola struggles to salvage her estates while dealing with devastating betrayals from her husband… and his choice to join rebels in a brewing civil war. Yet after averting a tragedy and gaining the castle garrison’s respect, she still must face the might of powerful men determined to crush her under their will.

Can she survive love, threats, and violent ambition to prove she’s worthy of authority?

In this carefully researched and vividly human series debut, Rachel Elwiss Joyce showcases the complex themes of honour, responsibility, and freedom in the story of a remarkable heroine who men tried to erase from history. And as readers dive into a world defined by violence and turmoil, they’ll be stunned by this courageous young woman’s journey toward greatness.

Lady of Lincoln is the gritty first book in the Nicola de la Haye Series historical fiction saga. If you like richly textured female heroes, courtly drama, and fast-paced intrigue, then you’ll adore Rachel Elwiss Joyce’s gripping true-life tale.


The Extract

Lincoln Castle, May 1168 

Nicola stood atop the western battlements under a duck-egg sky, her frozen fingers clutching the cold crossbow, her skirts snapping in the wind as she waited for Edwin—and humiliation. What was she doing here? And what had possessed her to think she could master a soldier’s weapon? Papa had laughed. Julia had just rolled her eyes.

She pulled her woollen cloak tighter against the biting wind, ignoring the guards further down the wall who studiously avoided her gaze. The longer she waited, the more foolish she felt.

Still, this wasn’t her greatest worry. Papa was determined she marry some nameless, greying nobleman. She didn’t want to dishonour her family, but what was the rush? Papa wasn’t dying. Surely there was a handsome, gallant knight out there who might win her heart, and guard her lands. She just had to find him.

She drew a breath and scanned the horizon, thrilling at the view. Lincoln Castle crowned a steep escarpment, towering over the Upper City. Below, mist uncoiled from the river valley, pierced by golden shafts of morning sun. She loved the castle, yet the stone walls, symbols of her family’s power, were starting to feel like a gaol.

Boot-steps echoed behind her. She turned.

Edwin, the grizzled garrison commander, climbed the last stair to the curtain wall. Thickset, bearded, his leather armour worn smooth with use, he gave her a sardonic smile. “There you are. The castle’s very own shield maiden.”

Nicola flushed. He clearly thought this was a farce.

She lifted her chin. “A fine morning to you, too.”

Edwin chuckled and moved beside her, reeking of leather and stale ale. “I’ve set up some targets.”

She shifted uneasily. Was she about to make a fool of herself?

“See there,” he said, pointing across the ditch towards the steaming Lawn. “I was a green squire, firing bolts from this very wall during the Battle of Lincoln. Never been so scared in my life.”

“Papa never speaks of it. He’s never forgiven Uncle Ralph for the disgrace.” 

“I don’t know how his mother forgave Ralph after he cheated her out of the castle then switched sides like that.” Edwin spat over the wall. “But then he’d always been jealous.” 

“Of what?”

“Your grandfather was raised from minor lord to royal constable. That honour was meant to pass to your father, the eldest, but Ralph, always arrogant, hated that.”

Nicola’s jaw tightened. Of course. Papa’s obsession with honour had begun with Ralph’s betrayal. If he hadn’t turned traitor, maybe Papa wouldn’t be so desperate to bind her future to a husband he deemed trustworthy enough to honour the family name.

“Thousands dead in the field,” Edwin muttered, crossing himself. “Good men; good horses. The grass ran red. I saw King Stephen captured. Then I had to serve Ralph.” He scowled. “That man changed sides so often, we never knew who the enemy was.”

A gust slapped Nicola’s braid across her cheek. She turned into it, breathing the sharp, clean air. Over the gate, the Haye red sun banner snapped in salute. Beyond, geese flapped over Brayford Pool. She envied them. Free. While she, despite the commanding view, was little more than a prisoner in her own castle.

She hefted the crossbow. “Shall we begin?”

Edwin took it from her. “Lady Nicola, if you’ll pardon me—this is nonsense. If there’s a battle, you’ll be in the tower, not fighting on the walls.”

Her cheeks burned; half ashamed, half angry. “I will be constable one day.”

“Your husband will. You’ll never be a knight.” He snorted. “Or a crossbowman.”

Her fists clenched. “If that’s what you think, Edwin, I’ve better things to do.” She turned to go.

He caught her arm. “Forgive me. I just...” He hesitated. “When the castle last fell under siege, the town was attacked. The women...” His jaw tightened. “You’re like a daughter to me. If the worst comes, I want you safe in the Lucy Tower. I’ll teach you to use a dagger—but not this.”

Her jaw tensed. She liked and admired him, but he wasn’t her father. He’d no right to tell her what she could or couldn’t be. “Mayhap I’ll surprise you,” she snapped.

He blinked, as though seeing her for the first time.

She folded her arms.

He sighed. “Very well. Strap this on.” He handed her a thick belt with a large iron hook.

She cinched it around her waist.

“Tight,” he said. He passed her the crossbow.

A laugh echoed from the bailey. Three guardsmen stood shielding their eyes, staring up. Her cheeks flamed. One of them had laughed, but which? She couldn’t see.

She lifted her chin. Let them stare. She was a Haye.

“Hitch up your gown,” Edwin said.

She pulled at the fabric, revealing her ankles and goatskin shoes.

Edwin frowned. “You’ll never manage in those. You need boots... really, you need chausses.”

“You should have told me. I’d have worn my riding boots.”

“Next time.” He took the belt back, buckled it on, placed a boot in the stirrup, caught the whipcord with the hook, and bent his knees. “You have to use your body. It’s got more power than your legs or arms.” Slowly, he rose, the hooked belt moving with him, dragging the cord until it clicked into place.

Nicola stared. What had she been thinking? She’d never manage that.

He fitted a bolt. “Here.” He handed the weapon to her.

The crossbow felt heavier than before. She’d watched men do this hundreds of times; but it was her turn now.

“Hold it to your shoulder, like so.” He positioned the crossbow. “Set the butt firmly. It keeps the weapon steady.” He moved her fingers into position.

Another laugh ripped through the air. 

“Now,” Edwin said, “look straight down the length of the stock, using the tip of the bolt as your guide, and align it with the target. For most shots, this’ll be enough. I can teach you how to adjust for range another time.”

If there was a next time.

“Steady breath. Exhale. Then squeeze. Let the crossbow do the work.”

She braced and fired. 

The weapon jolted.

The bolt vanished.

“God’s Knucklebones!” Edwin said, eyes wide. “Only an arm span from the target. We might make a constable of you yet.”

An unexpected surge of pride swept through her, followed by a rush of uncertainty. Was he mocking her? “Did you mean that?”

He didn’t answer. His eyes were fixed on the horizon. “Visitors. Ricard du Hommet, I think. And another knight, but I can’t see the emblem.”

Nicola followed his gaze. Four riders galloped from the woods across the Lawn. Two bore the Hommet lilies. The others rode beneath a banner of bright blue with white lions passant. She didn’t recognise the arms.

A cold knot formed in her gut. She had a bad feeling one of the men with the lion emblem was the man Papa would make her marry.

The riders clattered through the barbican.

Her knees buckled. She gripped the parapet.

“Are you alright?” Edwin asked.

“Of course,” she said, forcing a smile. “Just silly women’s concerns.”


Book Details

ISBN:  978 1919337906

Publisher:  Hedgehog Books

Formats:  e-book, audio and paperback (currently available on Kindle Unlimited) )

No. of Pages:  462 (paperback)

Series:   Book 1 in the Nicola de la Haye series


Purchase Links

Amazon UK

Amazon US


About the Author

After a rewarding career in the sciences, Rachel returned to her first love—history and the art of storytelling. Fascinated by the women history neglected, or tried to forget, she creates meticulously researched, emotionally resonant fiction that brings her characters’ stories vividly to life.

Her fascination with the past began early. At six years old, she was already inventing tales about medieval women in castles, inspired by her treasured Ladybird books and other picture-rich stories that transported her to another time. By the time she discovered Katherine by Anya Seton as a teenager, she knew the joy and escape that only great historical fiction can bring.

Rachel’s two grown-up children still tease her (fondly) about childhoods spent being “dragged” around castles, archaeological sites, and historical re-enactments. For Rachel, history and imagination have always gone hand in hand.

There was, however, a long gap between the stories of her childhood and her decision to write her own novel. The spark came when she discovered the remarkable true story of Nicola de la Haye—the first female sheriff of England, who defended Lincoln Castle against a French invasion and became known as “the woman who saved England,” Rachel knew she had found her heroine, and a story she was destined to tell.

Rachel lives in the UK, where she continues to explore the lives of women who shaped history but were left out of its pages.

You can also find Rachel at:

Author Website

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Bluesky





(media courtesy of The Coffee Pot Book Club)

(all opinions are my own)



Tuesday, 12 May 2026

The Hyena's Daughter by Jupiter Jones - #bookreview


 1797

If she were herself, Mary Wollstonecraft would feel sick as a dog from all the wine they have made her drink. Red wine to compensate for blood loss. But she is not herself. By now, she is half-ghost...

***

I am required to make it clear at the beginning of my reviews that I received this book for free from the publicist. I have not been paid for doing this and all opinions are my own. I am Bookshop.org affiliated, which means I earn a very small amount of money if you buy from there using my direct link. Although I include purchase links to Amazon, I am not affiliated with them. I include them to make it easy for you to navigate to them if you so wish.

***


The Blurb

The Hyena’s Daughter tells the far-too-untold story of a c19th sisterhood, the daughters of Mary Wollstonecraft: Fanny Imlay and Mary Shelley, the famed writer of Frankenstein, plus their step-sister Claire Clairmont, lover of Lord Byron.

Are they the three graces? The fates? They’re women, as alive and breathing and rebellious and analytical as you and me, and well aware and critical of the hemmed-in nature they’re expected to accept as women of their time – a time of “a new way of thinking, a new-world independence, a revolutionary world.”

It features their connection to Percy Bysshe Shelley – “how could we not love him, with his lofty ethics and words that flew like birds?” –and many of the other contemporary poets and thinkers of the time.

Pacy and assured, it turns its history to life from fragment to sensuous fragment. If the dead brought to life is to be Mary Shelley’s theme, this novella asks what the real source of life spirit is, the vital spark. This book, full of detail and richesse, is a piece of vitality in itself.”


My Review

This is an enjoyable novella about the daughters of Mary Wollstonecraft, author of A Vindication of the Rights of Woman. Most of us are aware of her middle daughter, Mary Shelley, author of Frankenstein. However, the two remaining daughters have remained in the background.

The youngest daughter, Clara Clairmont, is largely known as the wife of poet, Lord Byron. However, the eldest daughter, Francoise Imlay, also known as Fanny Godwin was unknown to me and for this reason I found her the most interesting of the three.

It is through Fanny that we really see how the role of the unmarried spinster played out during the 19th century. The book is full of detail and we get a real insight into the role of women in society at the time.

The book is written in short chapters and which move the book along at a fast pace. Much surrounds the scandal of Mary and Clara running away to be with the poet, Percy Bysshe Shelley.

Although the book is set in the early 19th century it felt very relevant. It addresses themes of sisterhood, family and the role of women. It considers what happens when people faced financial difficulties. For such a short book it packs quite a punch and my heart went out to Fanny in particular. To be the oldest daughter who remains a spinster was considered shameful. She also ends up as the go-between between her sisters and parents.

The book is an impressive and creative addition to our knowledge of the Wollstonecraft/Shelley/Byron canon of books. I enjoyed reading it very much and I highly recommend it.


Book Details


ISBN:  978 1068176609


Publisher:  Weatherglass


Formats:  Paperback


No. of Pages:  200 (paperback)



Purchase Links


Bookshop.org


Weatherglass Books


Amazon UK


Amazon US



About the Author



Jupiter Jones is the winner of the Philip Hoare Prize for creative non-fiction and the Colm Toibin International Short Story Prize. She is the author of three previous novellas: The Death and Life of Mrs Parker; Lovelace Flats; and Gull Shit Alley and Other Roads to Hell.


You can also find Jupiter at:


Author Website


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Bluesky






(ARC and media courtesy of the publisher)

(all opinions are my own)

(Bookshop.org affiliated)

Monday, 11 May 2026

I'm Back from Holiday

 


Today I am back at my desk following my holiday in Scotland. It was my first visit there and it is such a beautiful country that I can't wait to visit again sometime.

The photo above was taken on Loch Lomond. As you can tell, we had glorious weather and the loch was as still as a millpond. A few clouds but no rain added to our enjoyment.

Plenty of Scotch pies and shortbread were eaten while I got in some leisurely reading. My dog, Roxie, thought the quality of walkies was superb and plenty of walking and sniffing ensued.

Thank you Scotland for such a fabulous week.

Tomorrow, the blog will be up and running with a book review of The Hyena's Daughter by Jupiter Jones. It was a lovely novella and I can't wait to share my thoughts on the book with you.

Thursday, 30 April 2026

Doubles by Nora Gold - #bookreview


Wednesday, August 14, 1968

My favourite subject is math. I love math, even though I'm not especially good at it. I'm not good at anything really, or good for anything, as Dad often says...


***

I am required to make it clear at the beginning of my reviews that I received this book for free from the author. I have not been paid for doing this and all opinions are my own. I am Bookshop.org affiliated, which means I earn a very small amount of money if you buy from there using my direct link. Although I include purchase links to Amazon, I am not affiliated with them. I include them to make it easy for you to navigate to them if you so wish.

***

The Blurb

Doubles takes place in 1968 in an institution for troubled youth, and is told from the perspective of a brilliant, spunky, 12-year-old girl who is obsessed with math. Engagingly written and often funny, this novella explores how a sensitive young teenager changes over a six-month period from a polite, quiet "good girl" into a delinquent. Although set in the past, Doubles has direct relevance to today, with our recently heightened awareness of the harsh reality in some of our residential institutions during that era (including for Indigenous children, but not only).


My Review

I am not new to this author's work and I will include links to my reviews of her other books at the bottom of the post. When she asked if I would review this book for her, I was delighted to accept as she is a talented author.

This novella exceeded my expectations. It is rare for me to attribute five stars to such a short book, but this is worthy of the sparkle of each of them.

It tells the story of a girl who has been removed from her home by the authorities and placed into a children's home. Needless to say, she doesn't want to be there. She just wants to return home and does not understand why she can't.

Set in 1968, the entire story is told from her perspective through her diary entries. However, this is a multi-faceted novella and what the reader can ascertain from reading between the lines is significant. The reader's adult eyes allow us to understand what this narrator cannot. My heart was breaking for this girl as I read her diary entries and I found it very moving.

The reason for my giving this book five stars is because of the levels within the narrative. It is powerful, heart-rending and thought-provoking, and the author writes with compassion and sensitivity.  I think she has done a brilliant job with this and I cannot recommend it highly enough. 

Publishing tomorrow, I strongly suggest you get your hands on a copy of this novella. I think you will enjoy it every bit as much as I did.

To read my other reviews of Nora's work, please click on the respective titles.

In Sickness and in Health/Yom Kippur in a Gym

The Dead Man


Book Details

ISBN:  978 1778490361

Publisher:  Guernica Editions

Formats: Paperback

No. of Pages:  86 (paperback)


Purchase Links

Bookshop.org

Amazon US

Amazon CA


About the Author

Dr. Nora Gold is a prize-winning author of five books. Her first, Marrow and Other Stories, won a Vine Canadian Jewish Book Award and was praised by Alice Munro. Her second book, Fields of Exile, won the inaugural Canadian Jewish Literary Award for best novel, and was acclaimed by Ruth Wisse and Irwin Cotler. The Dead Man was honoured with a Canada Council translation grant and published in Hebrew. Her most recent book, 18: Jewish Stories Translated from 18 Languages (an anthology of translated works), was praised by Publishers Weekly, Cynthia Ozick, Dara Horn, and Joseph Kertes. Gold's fifth book, In Sickness and In Health/Yom Kippur in a Gym (two novellas), will be published by Guernica Editions in March 2024.

Gold received her PhD from University of Toronto, was a tenured professor for ten years, and left her academic position to write fiction fulltime. Subsequently she was associated with the Centre for Women’s Studies at OISE/University of Toronto, where she was, for six years, its Writer-in-Residence and created and coordinated the Wonderful Women Writers reading series.

In addition, Gold is the founder and editor-in-chief of JewishFiction.net, a prestigious online literary journal that publishes first-rate Jewish-themed fiction from around the world. To date, Jewish Fiction .net has published almost 600 works of fiction that were either written in English or translated into English from 20 languages but never before published in English. These include works by eminent authors such as Elie Wiesel and Aharon Appelfeld, Canadians Gary Barwin, Chava Rosenfarb, George Jonas, Sidura Ludwig, Morley Torgov, David Bezmozgis, and Sonia Zylberberg, and many talented emerging writers. A story from Jewish Fiction .net was selected for the Fall 2023 Pushcart Prize anthology, and Jewish Fiction .net has readers in 140 countries.

You can also find Nora at:

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(ARC and media courtesy of the author)

(author photo and bio courtesy of The Writers' Union of Canada)

(all opinions are my own)

(Bookshop.org affiliated)

Wednesday, 29 April 2026

Milksop by John Van Rys - #bookreview

***

It has come to my attention that I must make it clear at the beginning of my reviews that I received this book for free from the publisher. I have not been paid for doing this and all opinions are my own. I am Bookshop.org affiliated, which means I earn a very small amount of money if you buy from there using my direct link. Although I include purchase links to Amazon, I am not affiliated with them. I include them to make it easy for you to navigate to them if you so wish.

***


The Blurb

The summer of 1979 should have been simple: two months on a dairy farm in rural Ontario to make up for a disastrous winter term. But for seventeen-year-old Evan Mulder—awkward, angsty, and armed only with a gift for running and numbers—nothing about the Logan farm proves simple.

Dumped in a dark laneway by his disappointed parents, Evan finds himself among strangers: the reserved Niall, warm-hearted Connie, their two young children, and one very judgmental farm dog. Between early morning milkings and mucking out stalls, Evan discovers that the Logans are caught between a rock and a hard place—mounting debt, a predatory neighbour circling their land, and farm records buried in desk drawers like secrets no one wants to face.

As Evan learns to navigate life beyond his suburban comfort zone, he also confronts the truth he’s been running from all year. In a summer of chickens and calculations, flower gardens and financial ledgers, he’ll find unexpected ways to belong—and discover that being small in a world of big egos might not be weakness, but wisdom.

A tender coming-of-age story set against the rhythms of rural life, Milksop is about the quiet courage it takes to show up, the healing power of honest work, and learning that sometimes the smallest acts of care matter most.


My Review

This was a moving coming of age story about a boy called, Evan, who is nicknamed Milksop.

Evan is seventeen and has not been doing well at school. He is anxious and worried, and his parents have no understanding of how he feels. He is constantly teased by his older brother, whom Evan feels is the perfect son in the eyes of his parents. In fact, it is his brother who gave him the derogatory nickname of Milksop, due to Evan's perceived lack of vigour and lack of assertion. 

Evan takes comfort in running and mathematics. He likes the certainty of numbers in an erratic world. His parents decide to send him to a country farm for the summer to toughen him up a bit. His brother had been previously, and it quickly becomes apparent that his brother told of his nickname which, to Evan's horror, quickly gets adopted there too.

Evan is a city boy who has spent his life eating processed foods. When he finds himself on the farm, he is confronted with homemade and homegrown food. He is appalled and resists both the food and the work at every opportunity. 

This is the story of a desperately unhappy young person who is on the cusp of adulthood. As the novel progresses, we understand the causes of his anxiety. He is a wonderful character, and I was rooting for him all the way. I enjoyed reading of the lessons he learned, his development, and how he ultimately finds a way to steer himself in such a complicated world.

This was a truly excellent novel which I enjoyed very much. The author understands her characters and the world in which she has placed them very well. She tells her story with skill, and I highly recommend this book.


Book Details

Publisher:  Chicken House Press

Formats: e-book and paperback

No. of Pages:  386


Preorder Links

Chicken House Publishing

Amazon UK

Amazon CA

Amazon US


About the Author

John Van Rys is no longer young, he hasn’t been urban for about thirty years, and he’s never been hip. That makes him old, rural, and pretty square. That said, when he was 61, the Canada Council for the Arts designated him a New and Emerging Artist. Go figure!

John lives on a hobby farm outside Dunnville, Ontario, with his wife April, dogs, cats, horses, free-run egg-laying hens, and Cayuga ducks, as well as two of his adult children, their partners, his two granddaughters—and, just to keep things interesting, his mother-in-law. This life has supplied much of the inspiration for his fiction. People tell John that he has a thing about chickens, so he’s been given chicken mugs, chicken boots, chicken T-shirts, a stuffed chicken, and a chicken lunch bag. Chickens do appear all over the place in his fiction, but he’s convinced that doesn’t mean he has a weird obsession with them.

Until his retirement on July 1, 2025, his day job involved being a mild-mannered English professor, but his passion since late 2016 has been writing stories. He’s had short stories published in The New Quarterly, The Dalhousie Review, Agnes and True, Blank Spaces, and Solum Literary Journal. His story “Excavations” won the 2022 Prairie Fire MRB Short Fiction Contest. His first book-length collection, the story cycle Moonshine Promises, was published in 2021 by Wipf and Stock. He has drafted a second collection of stories, The Healing Arts, through the support of the Canada Council for the Arts and a mentorship at the Humber School for Writers Graduate Certificate. He completed his first novel, Milksop, through The Novelry.

 You can find out more about John’s writing by visiting his website.

 If you wish to stay up-to-date with his writing shenanigans, you can follow him at his Facebook page and at his Substack newsletter, Old Dog Dumps (ODD): Dispatches from a Journeyman Writer.



(ARC and media courtesy of the publisher)

(all opinions are my own)


Tuesday, 28 April 2026

Love Struck by Ally Bloom - #bookreview

Aiden's mouth is moving, but I can't make out the words. While he goes on about Wall Street like he's some big shot investor, I've been carefully counting the freckles on his face...

***

 I must make it clear at the beginning of my reviews that I received this book for free from Net Galley. I have not been paid for doing this and all opinions are my own. I am Bookshop.org affiliated, which means I earn a very small amount of money if you buy from there using my direct link. Although I include purchase links to Amazon, I am not affiliated with them. I include them to make it easy for you to navigate to them if you so wish.

***

The Blurb

Charlie’s life appears perfectly in place: a gorgeous fiancé, a cozy home, and her dream job as an RN. But when a casual night out ends with her fiancé drunkenly running over a jogger and covering it up, her world begins to unravel.

Riddled with guilt and desperate to forget, Charlie throws herself into her work, only to discover that their victim is now her patient. As he recuperates in his hospital bed, an unexpected bond forms between them, forcing Charlie to question everything she thought she knew about herself—and the man she promised to marry.

With secrets festering and the walls closing in, Charlie must make a terrifying decision: reveal the truth about that night and risk everything she’s built, or bury it deeper to protect the life she thought she wanted.


My Review

Love Struck was an interesting and gripping read.

The main character, Charlie loves her life. She is engaged to Aiden and she loves her work. One night whilst out with her fiance, he drunkenly runs over a jogger and he flees the scene. Charlie rushes back to help, calls an ambulance but does not admit to being in the car which ran him over. 

Whilst at work the next day, she realises her newest patient, Henry, is indeed the victim of Aiden's hit and run. Under normal circumstances she would declare an association with him but she can't do that without implicating Aiden, and even herself.

During his recovery, they become very close. However, I found it hard to believe that anyone in her position would enter into such familiarity with her patient. She vastly overstepped the professionalism of her role, not only by not admitting her part in the incident, but enters into flirting and, over time developing a personal relationship with him.

That said, it was an excellent story which was well written. It was obvious that at some point the truth would emerge and that there would be significant consequences for Charlie. There is a huge moral dilemma for her. I really did not know which direction the book would take once that happened.

There is lots of tension and suspense within the book and it really kept me turning the pages. It offered more than the usual romance novel and I recommend it.


Book Details

ISBN:  979 8249063306

Publisher:  Azala Romance

Formats:  e-book and paperback (currently available on Kindle Unlimited)

No. of Pages:  252 (paperback)


Purchase Links

Amazon UK

Amazon US


About the Author


Ally Bloom is a WFH mom by day and steamy romance author by night. Based in San Diego, she loves sunshine, water, and generally being outside. In fact, she gets all of her best ideas during family beach walks where she can talk through concepts or plot holes with her adoring husband!

Her debut novel, LOVE STRUCK, is a romantic-suspense, but she also loves to write feel-good contemporary romances.

You can also find Ally at:

Author Website

Instagram

Tik Tok



(ARC courtesy of Netgalley)

(all opinions are my own)


Monday, 27 April 2026

Lucie Dumas by Katherine Mezzacappa- #extract #excerpt


I am so pleased to be sharing an extract from this book today. Lucie Dumas by author, Katherine Mezzacappa is an historical fiction novel set in the 19th century.


The Blurb

London, 1871: Lucie Dumas of Lyon has accepted a stipend from her former lover and his wife, on condition that she never returns to France; she will never see her young son again. As the money proves inadequate, Lucie turns to prostitution to live, joining the ranks of countless girls from continental Europe who'd come to London in the hope of work in domestic service.

Escaping a Covent Garden brothel for a Magdalen penitentiary, Lucie finds only another form of incarceration and thus descends to the streets, where she is picked up by the author Samuel Butler, who sets her up in her own establishment and visits her once a week for the next two decades. But for many years she does not even know his name. Based on true events.


The Excerpt

Avant, avant, lion le melhor 

‘Forward, forward, Lyon the best’

 Motto of the city of Lyon 

My parents were what is known as respectable. I know that my mother is dead and assume my father is also. If he were not, I would not wish to see him anyway, so we can say that he is dead to me. I don’t know how much my mother was grieved by my conduct, for no-one ever asked her opinion on anything, and I have not seen her since my flight to Paris with Gaston. My father, I since learned, turned to drink after what happened to me. It had always been his regular solace, but it was to become his life. I want you, my reader, to be reassured that I was not the cause of his descent, but his own greed and foolhardiness. I prefer to think that he drank to smother his own conscience. 

I was brought up in the Croix-Rousse district of Lyon, not amongst the crowded dwellings of the canuts, the silk weavers of the Montée de la Grand Côte, but closer to the foot of that steep quarter, where the traders and merchants lived. The further up in lyonnais society one was, the further down the hill one dwelled – pronounced calf muscles by contrast were a sign of poverty. My father straddled both ends of the silk trade, much as our home did. He was not a weaver, nor a merchant, but built the Jacquard looms that enabled both. Forty thousand looms whirred and clacked in Lyon when I was a child, many of them in the tall buildings marching close to each other up that gradient. If I close my eyes here in London, I can still hear that sound behind the rattle of hansom cabs on cobbles, the clop of their horses. The sticky, cloying smell of silk is in my nose still, as though when breathed in it clotted itself forever in those tiny hairs. 

Father would regale us with tales of the grandeurs of Lyon silk, telling us the brocades of Lasalle adorned palaces as far afield as St Petersburg. I wondered once if those who swathed their vast halls with the work of the canuts ever spared a thought for those who wove it. Now I know that they do not, any more than the respectable ladies of London consider those who trim their bonnets, stitch their ballgowns or accommodate their husbands. Once of Girondist principles, my father had grown to admire Napoleon, for every man can be bought, though not as easily as a man can buy a woman, perhaps. The Directorate effectively brought the heyday of Lyon silk to an end, for dressing sumptuously one’s person or one’s home amounted in some cases to a capital offence and Fouché’s butchery in 1793 is I am sure still remembered. It was thanks to Napoleon that the part of Lyon destroyed in that siege was rebuilt, the silk trade re-established to clothe the new dynasty’s court, and thus Father had money to feed and clothe us. 

It was through Father’s trade that I met Gaston. You do not need to know his real name so I do not supply it, even if he could be dead by now. For years my allowance was remitted. It was stopped when Théodore reached fifteen (if indeed he did, but its regularity until then suggests that was the case). Certainly someone is dead. It may be Gaston, and so his wife has ceased to honour his shabby commitment. It may be that 

she has followed her husband to the grave, and some notary has seen the payment made to the Comptoir in London, shrugged his shoulders and cancelled it. It may be that my child is dead, his grave unvisited because everyone who knew who he was is also deceased, and I am the only one who remains, not knowing it. I wondered often if Gaston and his wife had any children, not because I was allowed any concern in their marriage, but because a woman without children may choose to love another woman’s child, or to hate him. 

In my own case, I keep as far away from children as I can, walking in the opposite direction should I encounter a nursemaid with a perambulator in Russell Square Gardens (but then if the nursemaid knew what I was, she would do the same). Monsieur has a passionate dislike of all small humans, yet he will photograph those he regards as the most peculiar specimens, according to Mr Jones. I have seen some of these plates: barefoot Italian urchins, sturdier somehow than their London equivalent, as though clean air and sunshine nourishes them. Mr Cathie has shown me them, as he assists at the birth of these images in the darkroom. Never does Monsieur photograph the kind of children who have nursemaids or governesses. Sometimes I think his eye is cruel; some of those Italian children are crétins, horribly goitred. Mr Jones said that this is because they live too far from the sea. These poor souls dwell, for the most part, corralled behind high walls with others similarly afflicted. But if their parents do not gaze on them, I do not see why others should. Monsieur could have found a different subject for his camera. 

I have ceased to wonder what my life might have been had I not met Gaston. There is no benefit in regret unless it prevents one from making similar mistakes in future. You see, the problem is that once one falls, one is obliged to keep on in one’s descent, for that precipice is sheer. It isn’t that one doesn’t want to go on making mistakes; the desire to live makes them an obligation.

Sample book of Lyon silk, 1861

(Wikimedia Commons: Prelle livre de patron 1861 La Canute)


Book Details

ISBN: 978 1917334228

Publisher:  Stairwell Books

Formats:  e-book and paperback

No. of Pages:  236 (paperback)


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About the Author

Katherine Mezzacappa is Irish but currently lives in Carrara, between the Apuan Alps and the Tyrrhenian Sea. She wrote The Ballad of Mary Kearney (Histria) and The Maiden of Florence (Fairlight) under her own name, as well as four historical novels (2020-2023) with Zaffre, writing as Katie Hutton. She also has three contemporary novels with Romaunce Books, under the pen name Kate Zarrelli. The Maiden of Florence was shortlisted for the Historical Writers’ Association Gold Crown award in 2025 and has also been published in Italian.

Katherine’s short fiction has been published in journals worldwide. She has in addition published academically in the field of 19th century ephemeral illustrated fiction, and in management theory. She has been awarded competitive residencies by the Irish Writers Centre, the Danish Centre for Writers and Translators and (to come) the Latvian Writers House.

Katherine also works as a manuscript assessor and as a reader and judge for an international short story and novel competition. She has in the past been a management consultant, translator, museum curator, library assistant, lecturer in History of Art, sewing machinist and geriatric care assistant. In her spare time she volunteers with a second-hand book charity of which she is a founder member.

She is a member of the Society of Authors, the Historical Novel Society, the Irish Writers Centre, the Irish Writers Union, Irish PEN / PEN na hÉireann and the Romantic Novelists Association, and reviews for the Historical Novel Review. She is lead organiser for the Historical Novel Society 2026 Conference in Maynooth, Co. Kildare.

Katherine has a first degree in History of Art from UEA, an M.Litt. in Eng. Lit. from Durham and a Masters in Creative Writing from Canterbury Christ Church.

You can also find Katherine at:

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(media courtesy of The Coffee Pot Book Club)

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