January is a time for looking forward and not back. A time to put aside the seasonal books we have all been reading and focus on a time of new beginnings.
There are some exciting new books being released in January and here are a few which have caught my eye.
THE STUNNING, UNFORGETTABLE CONCLUSION TO THE BELOVED PRACTICAL MAGIC SERIES
For centuries, the Owens family has been cursed in matters of love. When beloved aunt Jet Owens hears the sound of the deathwatch beetle, she knows that it is a signal. She has finally discovered the secret to breaking the curse, but time is running out. She has only seven days to live.
Unaware of the family’s witchcraft lineage and all it entails, one of the young sisters of the new Owens generation has fallen in love. As the curse strikes once again, her love’s fate hangs in the balance, spurring three generations of Owens to venture back to where it all began and use their gifts to break the spell that has marked all their lives.
But doing so threatens to destroy everything the family has fought so hard to protect. How much will they give up for the greatest gift of all?
Linen, Cotton, Silk, Synthetics, Wool: through the stories of these five fabrics, Sofi Thanhauser illuminates the world we inhabit in a startling new way, travelling from China to Cumbria to reveal the craft, labour and industry that create the clothes we wear.
From the women who transformed stalks of flax into linen to clothe their families in nineteenth century New England to those who earn their dowries in the cotton-spinning factories of South India today, this book traces the origins of garment-making through time and around the world. Exploring the social, economic and environmental impact of our most personal possessions, Worn looks beyond care labels to show how clothes reveal the truth about what we really care about
PARIS, 1919.
Young, bookish Sylvia Beach knows there is no greater city in the world than Paris. But when she opens an English-language bookshop on the bohemian Left Bank, Sylvia can't yet know she is making history.
Many leading writers of the day, from Ernest Hemingway to Gertrude Stein, consider Shakespeare and Company a second home. Here some of the most profound literary friendships blossom - and none more so than between James Joyce and Sylvia herself.
When Joyce's controversial novel Ulysses is banned, Sylvia determines to publish it through Shakespeare and Company. But the success and notoriety of publishing the most infamous book of the century comes at deep personal cost as Sylvia risks ruin, reputation and her heart in the name of the life-changing power of books...
Tamsyn Rutman is at yet another wedding, for yet another cousin. She wouldn't mind - the food's pretty good, the location is fabulous and there's a moderately famous singer crooning away - but what is a Jewish wedding if not the perfect opportunity for the bride to do a bit of matchmaking on behalf of her single, workaholic cousin? Tamsyn's not at the table with her parents and her family, she's sitting next to Ari Marshall.
Ari is everything Tamsyn doesn't want for herself, and everything her family want for her. Stubbornly determined not to fall into the trap of someone else's happily ever after, Tamsyn decides to focus on work, and while interviewing London's hottest new chef, finds herself being swept off her feet . . . by someone her family definitely wouldn't approve of.
But somehow, Ari and Tamsyn keep crossing paths, and she's about to find out that in love, and in life, it's not always easy to run away from who you really are...
The first book in an Oxford-set crime series of surprising twists, troubled pasts and a dynamic duo who are brought together by a mysterious murder investigation.
Ryan Wilkins grew up on a trailer park, a member of what many people would call the criminal classes. As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't.
But when a young woman is found strangled at Barnabas Hall, they're forced to.
Rich Oxford is not Ryan's natural habitat. St Barnabas's irascible Provost does not appreciate his forceful line of questioning. But what was the dead woman doing in the Provost's study? Is it just a coincidence that on the night of her murder the college was entertaining Sheik al-Medina, a Gulf state ruler linked to human-rights abuses in his own country and acts of atrocity in others?
As tensions rise, things aren't going well. Ray is in despair. Ryan is in disciplinary measures. But their investigation gradually disentangles the links between a Syrian refugee lawyer now working in the college kitchens, a priceless copy of the Koran in the college collection and the identity of the dead woman.
A Killing in November introduces an unlikely duo from different sides of the tracks in Oxford in a deftly plotted murder story full of dangerous turns, troubled pasts and unconventional detective work.
Violeta comes into the world on a stormy day in 1920, the first daughter in a family of five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.
Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses all and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling.
In a letter to someone she loves above all others, Violeta recounts devastating heartbreak and passionate affairs, times of both poverty and wealth, terrible loss and immense joy, and a life shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants and, ultimately, not one but two pandemics. Through the eyes of a woman whose unforgettable passion, determination, and sense of humour will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.
It's March 2020 and a calamity is unfolding. A group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most.
The unlikely cast of characters includes a Russian-born novelist; his Russian-born psychiatrist wife; their precocious child obsessed with K-pop; a struggling Indian American writer; a wildly successful Korean American app developer; a global dandy with three passports; a Southern flamethrower of an essayist; and a movie star, the Actor, whose arrival upsets the equilibrium of this chosen family. Both elegiac and very, very funny, Our Country Friends is the most ambitious book yet by the author of the beloved bestseller Super Sad True Love Story.
From Agatha Christie and Patricia Highsmith to Val McDermid and JK Rowling, After Agatha is an indispensable guide to women's crime writing over the last century and an exploration of why women read crime
Spanning the 1930s to present day, After Agatha charts the explosion in women's crime writing and examines key developments on both sides of the Atlantic: from the women writers at the helm of the UK Golden Age and their American and Canadian counterparts fighting to be heard, to the 1980s experimental trio, Marcia Muller, Sara Paretsky and Sue Grafton, who created the first female PIs, and the more recent emergence of forensic crime writing and domestic noir thrillers such as Gone Girl and Apple Tree Yard.
After Agatha examines the diversification of crime writing and highlights landmark women's novels which featured the marginalised in society as centralised characters.
Cline also explores why women readers are drawn to the genre and seek out justice in crime fiction, in a world where violent crimes against women rarely have such resolution.
The book includes interviews with dozens of contemporary authors such as Ann Cleeves, Sophie Hannah, Tess Gerritsen and Kathy Reichs and features the work of hundreds of women crime and mystery writers.
It is an essential read for crime fiction lovers.
A darkly funny, soul-rending novel of love in an epoch of collapse-one woman's furious revisiting of family, marriage, work, sex, and motherhood.
Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can't go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world.
From the author of the modern classic A Little Life, a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him – and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
To Paradise is a fin-de-siecle novel of marvellous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love – partners, lovers, children, friends, family and even our fellow citizens – and the pain that ensues when we cannot.
If you would like to read my review of A Little Life, please click here.
(Header photo courtesy of Unsplash)
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